Man in Space wrote: ↑Wed Aug 03, 2022 1:38 am
With one major exception, I name my drums after what they look like—I used to have a nine-piece Superstar Classic in Indigo Sparkle called "Big Blue"; the Cardinal is a deep red/maroon color; my first-ever Big Boy™ drum kit was a plain black-finished Rockstar that I called "Black Beauty"; and the Irwin, a Vox Telstar reissue, is finished in "silver croco", so I named it after the late Crocodile Hunter. The exception was the First Act, which was a First Act-brand set that was bought from Wal-Mart as a trial before I got Black Beauty. (Incidentally, the very first time I played the First Act, I had visibly dented the cymbal. By the time I got my first Paiste hi-hats, the First Act hi-hats looked like a dog had digested them. I also scuffed up a Magic Brass crash/ride pretty good before, again, upgrading to Paiste. [Incidentally incidentally, the Paiste Alpha 20" metal ride in brilliant finish is the best ride cymbal I've ever used. Fight me.])
Big Blue ironically provided me with a white whale. As I mentioned above, it was a nine-piece kit, but it didn't start out that way: I purchased a second kick and 13" rack tom for it. The last thing I toyed with getting was an 18" floor tom, but when I had the opportunity I passed on it for some reason and never found another one until after I had sold it.
I’ve actually never heard of someone naming their drums. Maybe it’s a jazz vs rock thing. (Or maybe it’s just that I don’t know enough drummers… well, actually, now that I think about it, I don’t know
any drummers. I probably should.)
bradrn wrote: ↑Wed Aug 03, 2022 12:11 am(Out of curiosity, what are the long black things in the lower-left corner?)
Octobans! Just like my favorite drummer, Stewart Copeland, used during his tenure with the Police.
Ah, of course! I knew they looked familiar.
(Even if you don't want to shell out big bucks for Silentstrokes and L80s, they do sell drum mutes/muffles for drums other than kicks. I was in a band back in college that practiced in an apartment and no one ever complained [that I know of] while using them. In Amniote, we used to dampen the kicks on Big Blue by putting bath towels or blankets in them.)
Now this is something I somehow never even considered. I really should get some sort of mute. (A kind drum teacher once gave me a ring for the snare, but it isn’t nearly the same thing.)
I describe the Cardinal as "big, loud, and dumb" because that's exactly what it is. You could very likely find a Granstar on stage at a thrash metal show in the '80s or '90s; Lars Ulrich appears to have used either a Granstar or (possibly an Artstar?) on the …And Justice For All tour. The guy who sold me it claimed that at least one thrash album was recorded on it back in the day but was unable to elaborate further. Unfortunately, it was bulky to the point of being unable to ergonomically set up. As I related above, it was a tight squeeze on the rack system, and the increased depths of the toms conflicted with the increased diameters of the kicks, so my options were either a) use impossible angles on the heads or b) position the heads in the stratosphere. You couldn't arrange cymbals around it very well either, particularly the hi-hat and ride. Even less wide cymbals (12" hats, 18" ride) defied ergonomic placement, and over the hi-hat, if you wanted to keep it in a reasonable position, you had to jack up at least two of the toms. The 16" rack tom couldn't be put vertically at all using the standard mounting system and it was so heavy it often settled on the surface of the drum and led to damage to the finish. The size of its footprint in the basement was, and remains, also a concern. Miking it up was difficult when we were recording Fully Formed. And it was heavy—it's an absolute unit of a kit. All of this meant that the Cardinal was never going to see the outside of the basement again as I knew from prior experience that the guys in Amniote would refuse to lug it around (and quite frankly I didn't want to, either).
This all sounds horribly familiar… my single drumset (some sort of Pearl, though I forget the exact make) is fairly big, and trying to squeeze it into the corner where it stays most of the time is a little painful. After several years I eventually managed to get it vaguely comfortable, though indeed the toms are at impossible angles and the cymbals never quite land up where they should.