Ntǎ^ntɔfẽ
Lērisama has produced
a language attempting to break my universals wherever possible. Obviously this must be out-done. Hence
Ntǎ^ntɔfẽ /
121-
3-
325.N/ [ntã˩˨˩ntɔ̃˧ɸɪ̃˧˨˥]
Darren wrote: ↑Sun Jan 28, 2024 12:27 am 1a. All spoken languages have phonemes
1b. There are never fewer phones than phonemes in a phonological system
2a. All spoken languages have multiple consonant phonemes
2b. All consonant inventories have multiple degrees of sonority including multiple obstruents
2c. There are always multiple consonant phonemes which are more sonorous than the least sonorous series of phonemes
2d. There are always multiple contrastive places of articulation in a consonant inventory
2e. Consonant phonemes will always occur at at least two out of labial, coronal and velar POAs.
3a. All languages have at least one vowel phoneme.
3b. All languages have multiple vowel phonemes unless consonants or words have markedness for F2.
3c. All languages have at least one [+front] vowel, or a [+front] consonant such as /j/.
3d. No language distinguishes frontness (F2) without also distinguishing height (F1).
3e. No language has fewer than three vowel phonemes which does not also have more than ten consonant phonemes.
Can I break
all of these? Well, no, 3d and 1a/3a are incompatible, and 1b with 1a, so I'll have to make do with 10 out of 12. So here's the phoneme inventory:
I hope you enjoyed that. Moving on to suprasegmentals, we have three of these – word-level nasalisation, word-level ATR harmony and tone. The first two of these are binary – words are [+/–nasal] and [+/–ATR]. Tone is more complex; there are sixteen tonemes (/5, 4, 3, 2, 1, 53, 51, 21, 34, 14, 454, 352, 121, 231, 325, 213/), and a morpheme can have between one and three of these. This provides for about 16,000 morphemes.
- Words are assigned one vowel |V| per tone.
- Tone influences F1 heavily; the highest pitch of a tone determines what |V| is – 1 2 3 4 5 → [a a ə ə ɨ]
- Stress is placed on the first tone with the highest peak (the first tone with a 5 pitch gets stress, otherwise first with a 4, and so on). Syllables two away from the tonic get secondary stress.
- Vowels dissimilate in frontness, with the tonic fronting and the adjacent backing, [a ə ɨ] → [æ,ɒ e,o i,u]. A vowel which is not next to the tonic remains central. If there is only one syllable it remains central.
- Hiatus is repaired with |C|, which is realised as [tɕ] adjacent to [i], [t] following a central vowel, [k] following a front vowel and [ɸ] following a back vowel
- Before stressed or secondarily stressed word-initial [i e,æ ɨ,ə,a] is inserted [tɕ k t]
- Intervocalically, [ɸ t tɕ k] lenide to [h θ s ʃ] except before a primarily stressed vowel
- In +ATR words, consonants voice [ɸ t tɕ k θ s ʃ h] → [b d ɟ ʔ l ɾ j β], vowels split [i ɨ u e ə o æ a ɒ] → [i,ɪ ɨ,ɨ̙ u,ʊ e,ɛ ə,ɐ o,ɔ ɛ,æ ɐ,a ɔ,ɒ].
- In nasal words, vowels nasalise and [ɸ t tɕ k b d ɟ ʔ l ɾ j β] become [mp nt ɲc ŋk mb nd ɲɟ ŋg n ɲ ŋ m]
The surface inventory is thus
[mp b mb t nt d nd tɕ ɲc ɟ ɲɟ k ŋk ŋg ʔ] <mp b mb t nt d nd c nc j nj k nk g ʔ>
[ɸ β θ s ʃ h] <f v θ s ʃ h>
[m n ɲ ŋ] <m n ñ ŋ>
[l ɾ j] <l r y>
[i ɨ u] <i i u>
[ɪ ɨ̙ ʊ] <e e o>
[e ə o] <e e o>
[ɛ ɐ ɔ] <ɛ ɛ ɔ>
[æ a ɒ] <æ a ɒ>
[Ṽ] <V>
[a˥ a˦ a˧ a˨ a˩ ; a˥˧ a˥˩ a˨˩ ; a˧˦ a˩˦ ; a˦˥˦ a˧˥˨ a˩˨˩ a˨˧˩ ; a˧˨˥ a˨˩˧] <ā á a à ǎ ; ā' a' ǎ' ; a- ǎ- ; ā^ â ǎ^ à^ ; ã ǎ~>
Ntǎ^ntɔfẽ does follow two universals - it has more phones (58) than phonemes (0) and it does not distinguish F2 without also distinguishing F1.
Here's some example words:
/231.14.325/ → [tɐ˨˧˩θɛ˩˦kɔ˧˨˥] <
tà^θɛ̌-kɔ̃>
/21.5.1/ → [ɒ˨˩tɕɪ˥sɒ˩] <
ɒ̌'cēsɒ̌>
/14/ → [tɐ˩˦] <
tɛ̌->
/14.2 N A/ → [ŋgẽ˩˦ɲɔ̃˨] <
ngě'ñɔ̀>
/352.3 N A/ → [ɟĩ˧˥˨ɲõ˧] <
jîño>
/5.5/ → [tɕɪ˥sʊ˥] <
cēsō>
/34.454.4 N/ → [ɔ̃˧˦ɲcɪ̃˦˥˦sɔ̃˦] <
ɔ-ncē^sɔ́>
/325.3 A/ → [ɟi˧˨˥ɾo˧] <
jĩro>
Morphology can produce some interesting results, say adding a suffix like /-454 A N/:
/14.121.4/ → [kɛ˩˦ʃɒ˩˨˩hɐ˦] <
kɛ̌'ʃɒ̌^hɛ́>
/14.121.4-454 A N/ → [ə̃˩˦ndɐ̃˩˨˩nõ˦ɲɟĩ˦˥˦] <
ě'ndɛ̌^nónjī^>
Although I think this ought to be isolating, so that hapless field linguists don't realise that only the tones are real. I might if I feel keen try and do a more sane ground-up analysis which reduces the phonemic tones to probably six (?), bestows us a vertical vowel system and at least a few consonants.