sasasha wrote: ↑Sun Oct 12, 2025 3:35 pm
I gather from Price’s book that lower classes sometimes joined in by buying meat from a butcher; you didn’t necessarily get to eat the sacrificed meat, but you could still join in. Do you think this might go on for the bigger Caďin festivals?
Even more so. As the Caďin religion page says: "Public rites or festivals (
curendet) are organized by the local noble, or the community. These were conducted by a noble, included an animal sacrifice, and concluded with a communal meal. For the poor these might be the only time they ate meat".
It''s good to know about Roman religion, but it's not the model. Caďin religion, since the Munkhâshi invasion, has had a goal of educating the people, and bribery with food and music is a part of that.
Ok. I’m going to lay out an idea I’m brewing. This is that the vast majority of temples employ musicians on an ad hoc basis. A musician with a liturgical skillset lives in a town or city as a freelancer, essentially, and might often be found to work in several or many temples, only in some cases on a regular basis. Sometimes remuneration might be mainly or entirely in the form of food (including sharing in a sacrificial feast, though usually in a different area of the temple and not usually as generous as for those actually sharing in the feast), but accommodation is not normally part of the deal.1 (If this sounds strange to state, consider that Anglican cathedrals often house their lay clerks.)
I think this makes sense for smaller towns. In the capital, or even a provincial capital, you can have very large establishments with a permanent staff of priests, musicians, and other specialists. In a small town the work is more scattershot.
You could even assume that a major sacrifice (i.e. one involving meat)
must include a musician. This was certainly true of Vedic rites. FWIW it's also what's described for David's Temple, though the thousands of musicians he describes are certainly off by an order of magnitude or more.
they probably make just as much or more money from music made for ad hoc sacrifices. I’m now just speculating that these exist, by the way: I’m imagining they happen by arrangement between the priest and the, er, sacrificer, whenever the latter wants to make an offering and whenever the priest/building/staff are available to do it. They might be anything from extremely modest to inordinately lavish, with fees to match.
In a similar vein (i.e. it’s the people that ask to hold the service who pay for it inc. any musicians) there are weddings and funerals (and coming of age ceremonies...?) which, obviously, are irregular engagements too, but (I’m imagining) more infrequent than the ad hoc sacrifices.
Other way around, I'd say. Personal rites come in a steady stream.
For a smaller temple, I expect the nearby notables fund the ceremonies. The calendar gets filled out. The highest local noble takes the biggest festivals; then other nobles and notables claim other dates. I think this is more likely than Rich Guy #22 deciding hey, this week I'll have a sacrifice. The gods obviously value constancy.
All this would mean that the number of support jobs, like the number of animals needed, does vary year by year, and payment is likely to be per gig.
Finally, if temples are rich (that is, they have a lot of generous benefactors) you might find that they do maintain a particular musical ensemble that is valued by that cult (or the individuals who finance it!), but this is kinda random, i.e. the Nečeron temple in Ulian looks well-to-do; and maybe traditionally it maintains a 5-part kena ensemble, who give much of what that particular temple does a distinctive sound which is a marker of its worshippers’ sense of belonging, prestige, and numinous aesthetic; this is just a local quirk, and a musician that falls into a job like that has just got lucky, as there’s no guarantee another temple would be interested in the same thing.
I'm not sure if we've discussed musicians' pay in general. If we haven't, I'd suggest some guidelilnes.
-- Musical ability is common, so the lower end is probably the average wage (1.5 f/day).
-- Someone who is highly trained in an instrument and knows dozens of songs could be worth 2 to 3 times that.
-- Someone you'd go to hear could be 5 times the minimum... 10 times, if you'd
pay to hear him.
-- Teaching is probably in line with the second category.
-- Add some falî if the knowledge requires literacy and extensive study.
If you have better info on medieval/Renaissance pay for musicians, do share!
I think this fits what you've got going for Kaidan: that he is by no means rich, but can support himself as he travels with music. He's probably in between the 2nd and 3rd categories (in his early life).
The idea is also that a rich temple can hire some permanent musicians exactly as it can hire masons or cooks. It's not unskilled labor but it's relatively cheap for them. And a less rich temple hires musicians, masons, and cooks only when it needs them.
An interesting corollary is that if Kaidan sweeps into town and gets a job with his superior training, he may be taking some local's gig. Maybe there's a custom that such an itinerant skilled worker buys drinks for the local musicians, or whatever.
if you, as a worshipper of a particular cult, end up with a regular gig in your own god’s temple ‒ they might be able to find you somewhere to lodge if you’re in need.
I may be going back and forth on this, but I would not overemphasize devotion to a single god. For sure you could have a favorite god, for personal or career reasons. But you can also absolutely go worship another god to hedge your bets or because they meet your present needs (e.g. you're taking a sea voyage, so you make an offering to Ažirei). And a temple would not say "We can't hire this person, they worship Išira." In a smaller town, a priest might well serve several gods.
It's likely there are some stereotypes about worshipers of particular gods ("oh, Eši worshipers are flaky"), but with the major gods this is never very serious.
Things change if you're in a cult per se. E.g. if you worship Žantom, you may well disdain the other gods entirely.