This "problem" was already noticed in the early 18th century, and led to the development of the piano (originally called the pianoforte or fortepiano with reference to its dynamic range). But the harpsichord is also not a particularly loud instrument, which is a problem when performing with an orchestra in a large concert hall.bradrn wrote: ↑Wed Dec 24, 2025 5:54 pmI have to strongly disagree. Some of my very favourite pieces are harpsichord compositions: e.g. Bach’s Harpsichord Concerto in D Minor, the very old English composition My Lady Carey’s Dompe, or any of Scarlatti’s works, e.g. his Sonata in F Minor.
Perhaps you may be picking up on the fact that harpsichords are very limited in their dynamics (loud/soft variations), as well as in the length their notes can be sustained.
Synthesizers and electric guitars have considerable dynamic ranges (though early synthesizers did not have velocity-sensitive keyboards so you had to use the volume knob in order to change dynamics); synthesizers also can do very long sustained sounds - they are on a par with organs in this regard.
As for the comparison between Baroque music and metal (or rock in general), that's mainly about how the basso continuo resembles the bass line and chord symbols in rock music.
