Qwynegold wrote: ↑Fri Aug 14, 2020 10:05 am
I haven't really decided yet if I'll attempt to create a template like this. It seems like it's a lot of work, and lately I have not had any energy. But I thought I'd just ask here if anyone has any comments or suggestions. Is it a good idea or a bad idea? Is anyone else using templates for conlanging?
I use the outline of reference grammars to check that I do cover everything. I use both zompist's conlang outlines (they cover a very broad range of subjects, so they're very good for avoiding stupid mistakes like 'Oops, I forgot to cover questions and reported speech') and natlang grammars. (To check if I haven't missed some possibilities.)
Other than that... I don't rely that much on linguistic typology, really.)
Over the years, I've come up with a process of my own.
- I work out a proto-language first. The grammar for that one is fairly rough which I think is only naturalistic. (We don't know that much about PIE or proto-Semitic after all).
- I try to come up with a realistic scenario of how it evolves. (For instance, in the Helian family, the proto-language is losing a lot of morphological complexity to sound change, but gained new affixes at the same time. In the Tarandim family, the proto-language has many features of creoles, but grammaticalized a lot of construction, turned most particles into bound morphemes).
- I come up with sound changes. What I do is come up with a realistic target phonology, and try to figure out how to go there from what I have. I also like to add some of those sound changes that really mess up the way the language works (I'm fond of the way Old French dropped pretty much all intervocalic stops, for instance).
Then to work out grammar, I select a topic that interests me, run a great deal of possible proto-language constructions through the SCA and figure out grammar out of the results, trying to come up with plausible regularizations and odd cases/irregularities.
Sometimes I'm bored with the results, or I figure I'd like to play with some particular idea, so I adjust the sound changes accordingly.
With the Tarandim family, I was bored with most of the words I had and I wanted to play with root and pattern morphology, so I added a syncope rule.
With Erdanila, for instance, I wanted to work out the proverbial polysynthetic conlang; the results always felt too artificial to me.
Then I started working with sound changes, not bothering much with typology or features, but just trying to make sense of what came out of the SCA, and I was a lot more satisfied with the results.
I don't know if I can recommend the process, because it's absurdly long.
But I like the way you have to think both like a native speaker and like a linguist documenting an unknown language.
And you get nice surprises too. Sometimes I discover unexpected things in Tarandim morphosyntax; which is pretty thrilling. When working on Erdanila, sometimes I solved a problem in morphosyntax only to find out that Mohawk solves the same issue in the same way.
As for writing grammar... I deliberately moved away from academic models. If I write for myself, anyway, tables and a telegraphic style are more than enough. If I write for others, ie. if I'm sharing it here, using a formal academic style would only bore the reader to death, so I try to keep a clear and attractive style, and I deliberately avoid the traditional order. You can spend pages describing phonology, for instance, so I tend to skip that part. I think I'd like to try a 'language lessons' format someday too.